Horn Book Review
Curious, funny, get-to-the-heart-of-the-problem Alice McKinley thirsts for knowledge and friendship in the seventh grade. Through the ups and downs of adolescence, buoyant Alice has a fine supporting cast of friends and family members, all of whom are portrayed with refreshing honesty. From HORN BOOK 1992, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
Gr. 5-8. It's a nice twist to have Alice, the klutzy, motherless outsider of The Agony of Alice [BKL O 15 85], and the bully's victim of Reluctantly Alice [BKL F 1 91], now suddenly one of the beautiful people in the second semester of seventh grade. She can't quite believe it herself, but she's in the popular group, looking gorgeous, laughing her tinkling laugh, her ears pierced, her brand names correct. The trouble is, of course, that it gets boring. Naylor, winner of this year's Newbery Award for her very different book Shiloh [BKL D 1 91], makes Alice a bit too articulate, even preachy, about all the changes in her life ("Now that I had arrived, however, it was like opening a gorgeous box and finding nothing inside") and about her relationship with her single-parent dad ("It helped to have limits"). Even her inhibited friend Elizabeth is articulate about being inhibited. But if the agony's gone now, Alice's followers will find the comedy as rich as ever, from the wry one-liners about her sex-education class and her hot fan letter to a rock star about the lint in his belly button, to her search for a role model among her older brother's girlfriends. Alice would like to conform, but who comes first? Family? Friends? The sisterhood? Her confusion and her fear of embarrassment come together in a beautifully understated climax on the school bus, when she defies the crowd and risks her popularity for a friend. ~--Hazel Rochman
School Library Journal Review
Gr 5-8-- In the winter of seventh grade, lovable, motherless Alice McKinley believes that life's problems require the guidance of a wise and kind female. Lacking that, she decides that all females represent a universal sisterhood, and, lemminglike, joins in the popular activities of her peer group. In addition to writing fan letters to stars and buying earrings weekly, Alice tries to feel sisterly solidarity with the women pursuing her older brother, and wishes her father would marry the attractive teacher he has been dating. Alice thinks she's outgrown Patrick, but is soon bored with handsome Brian's pranks; when loyal Patrick is slated for victimization, Alice must reevaluate her decisions. In the end, intelligence and loyalty triumph over superficiality. Only an author of Naylor's nimble skill could hold these ingredients together in a readable, laughable, and, yes, sensitive story. Alice is the same delightful character from The Agony of Alice (Atheneum, 1985), although, naturally, more mature. Carefully structured, strongly characterized, this book is sure to be the most popular yet of the series. Naylor's light, but deft touch with important thematic concerns is most appealing.-- Cindy Darling Codell, Clark Middle School, Winchester, KY (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Naylor is a versatile, prolific author whose achievements have just been crowned with a Newbery; her books about Alice (this is the fourth) are many readers' favorites, with good reason: laugh-aloud funny, they also explore real concerns with unusual frankness and compassion. Here, Alice is still in seventh grade, in the throes of bowing to her peers' decrees; suddenly one of the ``beautiful people'' in her class, she hangs around with old friend Pamela and some boys she has the wit to think of as the ``Three Handsome Stooges.'' Earrings are now a big deal: there's a club, and every weekend is devoted to buying and trading; it takes Alice a while to admit to herself that it's all boring, and that she dislikes excluding old friend Elizabeth, who doesn't want pierced ears. Meanwhile, Dad is dating one of her teachers; brother Lester gets serious about an old flame; and Alice ponders the ``Sisterhood'' of all women and discovers that Patrick is still a good friend, more fun than the Stooges. An appealing character with real integrity and memorable humor. Fans can rejoice: Naylor plans to take Alice ``to her eighteenth year.'' (Fiction. 9-13)
Excerpts
WHAT I'VE decided about life is this: If you don't have a mother, you need a sister. And if you don't have a sister, you need a bulletin board. Elizabeth Price, across the street, has a room with twin beds, with white eyelet bedspreads on each, a little dressing table and stool, a lamp with a white eyelet ruffle for a shade, and a bulletin board covered with photos of Elizabeth in her ballet costume, her tap shoes and pants, her gymnastic leotards, and her Camp Fire Girl uniform, which isn't too surprising, since there's a huge photograph over the couch in their living room of Elizabeth in her first communion dress. Pamela Jones, down the next block, has pictures of movie stars and singers on hers. She also has a dried rose, which Mark Stedmeister gave her once, an autograph by Madonna, a pom-pom, which her cousin in New Jersey sent her, and a photograph of her and Mark, taken from behind, with their arms around each other and their hands in each other's hip pockets. I'd seen those bulletin boards dozens of times when I stayed overnight at Pamela's or Elizabeth's, but suddenly, in the winter of seventh grade, I wanted one of my own more than anything else I could think of. What I wanted was to know I was growing up normally -- that I was in step with every female person in Montgomery County, that I was a part of the great sisterhood of women. I wanted to see the highlights of my life pinned up on the wall. I wanted to make sure I had a life. "I'd like a bulletin board for my room," I told Dad one night when he was cleaning the broiler. "Pamela and Elizabeth both have one, and I want a place where I can pin up things." "I've got an extra one at the store. I'll try to remember to bring it home," he said. I get a lot of weird things that way. Dad is manager of the Melody Inn, one of a chain of music stores, so he can bring home whatever he wants. Usually it's stuff that's defective or doesn't sell; so far I've got two posters of Prince; one of Mozart; a couple of slightly warped drumsticks, which I gave to Patrick, who used to be my boyfriend; a Beethoven bikini from the Melody Inn Gift Shoppe, which says, HAPPY BIRTHDAY, BEETHOVEN, on the seat of the pants, only the print is crooked; and some notepads, with CHOPIN-LISZT printed at the top. The following afternoon, there was a huge bulletin board, a little dusty, with one corner chipped, hanging on the wall above my bureau. "It's great!" I told Dad. "Aunt Sally used to have a bulletin board in her kitchen, didn't she? I remember she used to pin up pictures I drew in kindergarten." "That was your mother, Al." (My name is Alice McKinley -- Alice Kathleen McKinley, to be exact -- but Dad and Lester call me Al.) "And those were pictures you'd made in nursery school. Don't you remember how your mother kept photos of you and Lester on it too?" I always manage to do that. Mom died when I was five -- four or five, I can't remember which -- and I always seem to mix her up with Aunt Sally, who took care of us for a while afterward. "Yeah, I think I do," I told Dad, but I wasn't really sure. I set aside the whole evening to work on my bulletin board, and took a box of keepsakes from my closet to see what was worth pinning up -- something as wonderful as an autograph by Madonna or a photo of me in a ballet costume. Carefully I scooped things out of the box and spread them around on my bed. There was an envelope, yellow around the edges. I looked inside: grass. A handful of dry grass. And then I remembered Donald Sheavers back in fourth grade, when we lived in Takoma Park. We were playing Tarzan out in the backyard, and we had a big piece of cardboard for a raft. At some point he was supposed to kiss me, but every time he tried, I got the giggles and rolled off. For a whole afternoon Donald tried to kiss me, and though I wanted him to, it was just too embarrassing. So after he went home, I pulled up a handful of grass from under the cardboard to remember him by. Stuffing the grass back into the envelope, I picked up a tag off my first pair of Levi's. I'd been wearing Sears Toughskins through most of elementary, and when I got to sixth grade, Lester had taken me to buy some real Levi's. I studied the label now in my hand and tried to imagine Pamela and Elizabeth looking at it in admiration and awe. I put the label on top of the grass. I couldn't figure out what the next thing was. When I unrolled it, I saw that it was a piece of brown wrapping paper with leaves drawn on it. And then I remembered the sixth-grade play, where Pamela had the lead role -- the part I'd wanted -- and I had to be a bramble bush instead. I put the brown wrapping paper over by the Levi's label and the grass. It was very discouraging. Then I felt that sort of thump in the chest you get when you come across something important, and I picked up an envelope with ALICE M. on the front, decorated with drawings of hearts, and airplanes with red stripes on the wings. Inside was one of those misty-looking photographs of a man and woman walkin through the woods holding hands, and you can't see their faces. At the top, in curly letters, were the words A SPECIAL FEELING WHEN I THINK OF YOU. There weren't any printed words when you opened it up, but someone had written in blue ink, "I like you a lot." A valentine from Patrick from sixth grade! I decided I'd put the card up on my bulletin board but not the envelope. I could never explain the airplanes to Pamela and Elizabeth, because I couldn't understand them myself. What was left in the box was the wrapper of a 3 Musketeers bar that Patrick had given me; the stub of a train ticket when I'd gone to Chicago to visit Aunt Sally; a ring from my favorite teacher, Mrs. Plotkin; a book of matches from Patrick's country club; and a program from the Messiah sing-along that I had gone to last Christmas, with Dad and my language arts teacher. This was it! This was my life! I turned the box upside down again and shook it hard to see if an autograph from Michael Jackson or something might fall out, but all I got was a dead moth. I took thumbtacks and put up the valentine from Patrick, the train ticket stub, Mrs. Plotkin's ring tied to a ribbon, the matchbook, and the program from the Messiah. They hardly filled up one corner. I clomped downstairs for the Ritz crackers, but Lester had them. He was sitting at the kitchen table over a copy of Rolling Stone. Dad was drinking some ginger ale. "How's the bulletin board coming?" he asked. "I think it's too big," I mumbled, flopping down on a chair. "I haven't had enough great moments in life, I guess." "Well, think about the ones you have had, and see if you can't come up with something," he told me. "My first bra, my first pair of Levi's," I said. "I suppose I could put the labels up, but there's still three-fourths of the board yet to go." Lester put a squirt of Cheez Whiz on a cracker and popped it in his mouth. "You could hang your whole bra and jeans on the bulletin board and then you wouldn't have any space left at all," he said. I gave him a look. Lester's only twenty, but he's got a mustache, and girls go crazy over him. Don't ask me why, but they do. Right at that very moment he had a blob of Cheez Whiz in his mustache. "Keep thinking," I told him. "Remember when Patrick took you to the country club?" Lester said. "When you got home, you discovered you'd stuffed one of their cloth napkins in your purse. That'd be good for a twelve-inch square of space." I was desperate. "I can't have Pamela and Elizabeth over just to see a label off my jeans and a train ticket! I've hardly got anything at all." I threw back my head and wailed: "My life is a blank bulletin board!" Lester put down his magazine. "Al," he said, "what you do is you take off all your clothes, drag your bulletin board out in the street, and take an ax to it. By tomorrow morning, you'll have a policeman's jacket, a hospital ID bracelet, and a newspaper story to add to your collection. Maybe even a photograph of you in the policeman's jacket, climbing into the back of a paddy wagon. I guarantee it." I stomped back upstairs and sat glaring at the near-empty bulletin board. Chances were, in another year, I wouldn't even want some of the things that were up there now! And then it came to me that I would probably have this bulletin board until I was through college. I was twelve, and if I graduated when I was twenty-one, that was nine more years. It wasn't as though my life was over. It was still being written, and the thing about bulletin boards-the reason for bulletin boards-was you could change things around. Add and subtract. Then I didn't feel so bad. The phone rang. It was Pamela. "Guess what?" she said breathlessly. "You got a newer, bigger bulletin board," I guessed. "No. Mother said I can start wearing different earrings now, Alice! I don't have to go on wearing these little gold balls I've had since third grade. I can wear wires if I want. Even loops! You want to go shopping with us this weekend?" I knew right then I could not go another year, another month, another week even, without pierced ears. Whatever Pamela did, that's what I'd do. Whatever Elizabeth had, that's what I wanted. Always before, Dad and I smiled secretly at the kids who came in the music store all dressed alike, all wearing black, all with an earring in one ear and the same kind of makeup. I'd think how stupid it was to try to be a copy of someone else. But suddenly it was happening to me. I was turning into a lemming! If all the girls in junior high suddenly raced to the roof and plunged madly over the edge, I would be sailing off into space with them. Excerpted from All but Alice by Phyllis Reynolds Naylor All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.