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Summary
Summary
1979: 17-year-old Alice Pearson can't wait to graduate and escape her small town. When she and her friends meet the enigmatic Jack Wyck, they are enticed by his quasi-mystical philosophy and the promise of a constant party. Once in his thrall, their heady, freewheeling idyll takes an increasingly sinister turn and they face a night of horriffic murders. 20 years later, Alice has created a quiet life for herself. But Wyck has never forgiven Alice for testifying against him, and as he plots to regain his freedom, she is forced to confront the suppressed memories.
Author Notes
Beth Hahn studied art and writing at the University of Pennsylvania and the Pennsylvania Academy of the Fine Arts and earned an MFA in fiction from Sarah Lawrence College. She attended the Bread Loaf Writer's Conference and has been the recipient of a Ragdale Foundation residency. Beth's short stories have appeared in Necessary Fiction , The Hawai'i Review , The South Carolina Review , and The Emrys Journal . She lives in New Castle, New York, with her husband, where she teaches yoga.
Reviews (3)
School Library Journal Review
Quiet, studious Alice Wood is forced to face her past when filmmaker Hans Loomis approaches her about including her story in a documentary about cult leader Jack Wyck in the 1970s. Although Alice has sought obscurity after the events of that summer, which led to Wyck's imprisonment, it soon becomes clear that Alice will be outed either by the filmmaker or a group of Wyckians, who still admire Wyck despite his conviction. In her debut, Hahn intertwines Alice's experiences with free love and drugs and her search for enlightenment as a teenager with her desire to remain anonymous as an adult. The chapters alternate between 1979 and 1999, but Alice's stream-of-consciousness narrative sometimes blurs the line between past and present. This book demonstrates convincingly how an intelligent, well-liked, and respected high school student can suddenly find herself involved with a man on the fringes of society. Although teens need to navigate between two narrators and two different time periods, those who appreciate psychological thrillers will keep reading for answers. VERDICT A good choice where Gillian Flynn's Gone Girl and Paula Hawkins's The Girl on the Train are popular.-Krystina Kelley, Belle Valley School, Belleville, IL © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
In the tantalizing opening, set in 1999, of Hahn's carefully crafted first novel, documentary filmmaker Hans Loomis steels himself to open a package, covered with drawings of snakes, birds, skulls, and flowers, from Jack Wyck, a convicted felon. That Hans has asked Wyck about something that happened two decades earlier is a sign to Wyck that he'll soon be out of prison. A flashback to upstate New York in 1979 introduces 17-year-old Alice Pearson, a high school student who, with three friends, becomes involved with the mysterious Wyck, who lives in an isolated farmhouse. Twenty years later, Alice, now a folklore professor, is researching ballads about a murdered girl's body transformed into a musical instrument that's able to identify her killer. After Hans contacts Alice about his film about Wyck, she's chilled to learn that Wyck has fans who have created a website featuring images from his past crimes. Well-wrought leads enhance the effective, gradual reveal of exactly what put Wyck behind bars. Agent: Jessica Papin, Dystel & Goderich Literary Management. (Mar.) © Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
A debut novel about the nature of guilt and the impossibility of escaping the past. High school senior Alice Pearson is ready to leave her past behind her and make a new life far away from upstate New York. But Alice's plans change when she meets the charismatic Mr. Wyck. Instead of going to college, she moves into his big, ramshackle house in the woods, where she becomes part of an ersatz family devoted to sex, drugs, and idiosyncratic spiritual beliefs. Readers will not be surprised when things go terribly, terribly wrong; indeed, that they will is clear from the very start. The narrative begins in 1999, 20 years after the events that changed Alice's life. She's adopted a new name and built a new identity as a professor of folklore, but this doesn't stop a documentary filmmaker from finding her. Nor does it protect her from Wyck's fanatical online following. As her carefully constructed existence unravels, Alice must confront dangers from within and without, including her own role in a string of murders. Shifting back and forth in time, Hahn maintains a fine balance between mystery and disclosure. The atmosphere throughout is tense and subtly creepy, and the folkloric elements are an interesting, original touch. Alice's specialty is a group of ballads and tales in which a murder victim's body transformsa breastbone turns into a harp, hair is used as violin stringsand reveals the name of his or her killer. This material is so rich and resonant that readers may wish there had been more of it. The other disappointment is the extent to which Mr. Wyck's household resembles Charles Manson's and his "family," right down to Manson's musical ambitions. The inability to forget these real-life murderers makes it difficult, sometimes, to believe in Hahn's fictional sociopaths. But these are minor complaints. Hahn is a writer to watch for fans of sophisticated psychological suspense. Copyright Kirkus Reviews, used with permission.
